the plague, camus analysis

But, when the symptoms suddenly vanish — tritely, like the sudden calm before a storm — all concern vanishes and the people breathe, as Camus says ironically, more freely. Web. Although it is too early for me to advance any far-fetched arguments, I can say that Joseph is very much similar to Sisyphus; he becomes accustomed to the routine nature of daily life, and his existence reminds us of Sisyphus’ attempts to roll a rock to the top of the mountain. The townspeople of Oran insist that the rats are surely meaningless, whereas the rats are extremely meaningful. Earlier, he has said "one's got to help a neighbor, hasn't one?" The emphasis on the habits which have been formed and cultivated by the "soulless" people of Oran are significant. the doctor's several instances of demonstrated humanity are now even more clearly emphasized. In the early days of the epidemic, the citizens of Oran are indifferent to one another's suffering because each person is selfishly convinced that his or her pain is unique compared to "common" suffering. 559. At present, he admits that he works for a newspaper that compromises with truth. While reading this novel, one should remember that Camus has an initial prerequisite for an understanding of his philosophy of the absurd: a realization and recognition of the fact of one's own death. In the 14th century, the bubonic plague, also known as the “Black Death” killed almost a third of the Grand, in contrast, does not. Although, most of the cultural points in this novel are based off of the authors own traditions and culture, the major things to focus on are the differences between history, culture, and religious beliefs between the novel and Oran, Algeria. of the past? When a total of some 8,000 dead rats is made public, there is even a demand for some kind of action and an accusation of carelessness is made against the sanitation bureau. The reader must here see Grand against the background described earlier. Summary and Meaning of Camus’ “The Plague” April 9, 2020 Existentialism Albert Camus (1913 – 1960) was a French author and philosopher who won the Nobel Prize for Literature in 1957. But what interests him most about Oran? Since my university days, I have been deeply attracted to Albert Camus (1913-1960), both his novels and his philosophical essays. He has, then, created a city far enough away esthetically and geographically for his artistic purposes, but one which has the tempo and coloring of our own environment. His search is for a knowledge that will produce a perfect prose. These details are the gears and wheels of Rieux's project of truth; they are the bits of conversation, street-corner portraits, the city's nerve ends. Albert Camus' vision in The Plague was bleak, but his study in terrorism is also a fable of redemption, finds Marina Warner Buy The Plague at Amazon.co.uk Sat 26 Apr 2003 18.35 EDT Rieux is also convinced that the victims of the unidentified fever should be put in isolation, yet he is stopped because of his colleagues' insistence that there is no definite proof that the disease is dangerously infectious. Once they do become aware of it, they must decide what measures they will take to fight the deadly disease. The announcement of death is paramount in Camus' philosophy and in his novels. He has simply seen something as deadly as plague with epidemic proportions. His determination to be simply efficient and thorough is his answer for the present — doing one's job as it should be done. He is sure that he is a good neighbor, but is he? (There was a monthlong outbreak in Oran in 2003.) The Plague, or La Peste in its original French, is a novel written by philosopher/writer Albert Camus in 1947. Now, when the plague is eroding the town's edges, he has a new surge of life. Analysis Of Albert Camus 'BookThe Plague' 1424 Words | 6 Pages. This narrator slips out of Chapter 2 and the book moves forward with conventional plot interest and the introduction of several main characters, yet it retains Chapter I's sense of structural completeness. His defense is with a semantic shield. The emergency measures are insufficient. In contrast to his quandary in this chapter, the natural beauty of the outside beams healthily. Albert Camus's novel The Plague is about an epidemic of bubonic plague that takes place in the Al-gerian port city of Oran.When the plague first arrives, the residents are slow to recognize the mortal danger they are in. Tarrou continues to observe, the old man spits on the cats, Grand writes, Cottard goes his way, the Spaniard counts his peas. Albert Camus's The Plague Plot Summary. However, Camus' novel declares that this rebellion is nonetheless a noble, meaningful struggle even if it means facing never-ending defeat. When a mild hysteria grips the population, the newspapers begin clamoring for action. This Study Guide consists of approximately 75 pages of chapter summaries, quotes, character analysis, themes, and more - everything you need to sharpen your knowledge of The Plague. Black is white to the people, and Camus' adjectives, in a parallel, often describe something quite the opposite of what is. Plague is proclaimed. Use up and down arrows to review and enter to select. Rieux counters his introductory remarks by debunking them. Summary Analysis The central irony in The Plague lies in Camus' treatment of "freedom." Explore Course Hero's library of literature materials, including documents and Q&A pairs. if there is a God and die to find out there isn't, than live as if there isn't and to die to find out that there is.” -Albert Camus, The Fall In Albert Camus’ novel The Plague, the author employs three main characters -- the narrator, Tarrou, and Father Paneloux -- to represent extremist views on religion and science in culture. In Chapter 8, the plague and municipal efforts play tick-tack-toe. Its death-dealing powers are so enormous that his imagination fails to respond to the figure of a hundred million deaths, a figure he reckons as the historical toll of plague. If so, this amplifies the narrator's comment in Chapter 2 comparing the rats to pus, oozing from the abscesses beneath the town. He insists on being left in peace, yet now he effects a change. The character focus of the book is not wholly on Dr. Rieux, but because he is, in disguise, the narrator, he assumes a kind of early main character or hero focal point. In the face of such a seemingly meaningless choice, between death and death, the fact that they make a choice to act and fight for themselves and their community becomes even more meaningful; it is a note of defiance thrown against the wind, but that note is the only thing through which someone can define himself. On the surface, The Plague is a realistic description of how society reacts to a deadly epidemic: Starting with the authorities’ inevitable denial and followed by hastily convened containment measures, panic buying, shameless profiteering and public discontent, the disease also brings out the very best in people, leading to extraordinary acts of human kindness and solidarity. Camus seems, then, to be creating a society of habit-oriented people in order to confront them with death in its most horrible form — the plague. The atmosphere is as oppressive as a sickroom. The tone here is low-keyed because the narrator is speaking of the normal day-to-day process of dying. He has fought throughout this chapter for official resolutions to help just such people. Analysis Of Albert Camus 'BookThe Plague' 1424 Words | 6 Pages. Rieux, as narrator, castigates the townspeople for their stupidity and frivolity, these people who refuse to conjure and consider consequences. The Prefect sounds like a Liberal, but is an arch Conservative; he imagines himself encompassing each of his city's crises with sage wisdom and acting accordingly. Camus' immediately attacking the problem of exposition and setting, and defining them simply and directly, establishes a tone which he will hold until the book's end. These papers were written primarily by students and provide critical analysis of The Plague. Here is a point, brief as it is, of normalcy to weigh later against the extreme. Dr. Bernard Rieux The surgeon — narrator of The Plague.. Jean Tarrou The best friend of Rieux.His notebooks are used as part of the chronicle. He seems to manage, cheerfully enough, on what certainly can't be more than a pittance of a salary. The Plague (Penguin Classics). The Plague concerns an outbreak of bubonic plague in the French-Algerian port city of Oran, sometime in the 1940s. The Plague by Albert Camus is an existentialist classic, in which he continues to question the absurdity of life and applies the notion of rebellion. He speculates on a musician who continues to play his trombone after he knows that his lungs are dangerously weak. Considering now Chapter 3, we find yet another kind of "package" chapter than either I or 2. It is bound, perhaps even strangling itself, with habits. And Camus proves as facile with the paradoxical. It is given to other men instead of to God. The doctor patiently fights the plague, but is often confused about his duty: he, as the doctor, is supposed to save people, but in the case of plague, he just has a chance to isolate them from the healthy ones, and record their death. This isolation of Rieux and of Oran is buttressed by one of Camus' exacting images. The chapter begins with Dr. Rieux's discovering a dead rat and a crotchety concierge's indignant and comic fussings and it ends with a total of several thousands of dead rats, plus the plague's first death — M. Michel, the concierge. As yet, Grand has to show us any real sympathy. The blood leaking from their mouths reminds him of his wife's illness and her imminent trip to a mountain sanatorium. His coming-to-terms with whatever has invaded Oran must be accomplished soon, but with reason and observation. Analysis Of The Plague By Albert Camus 1101 Words5 Pages The novel, The Plague, written by Albert Camus, will be the focal point of the Multicultural essay. Vital living can be stifled by habits: in Oran, love-making is relegated to the weekends. Learn more about The Plague with a detailed plot summary and plot diagram. When the epidemic wears on for months, many of Oran's citizens rise above themselves by joining the anti-plague effort. New York: Penguin Classics, 2006. The ganglia deaths are not even mentioned, and a certain knowing cynicism about journalists' reporting only what happens in the streets — not behind closed doors — reveals Camus' ever serious concern with truth. Camus conceived of the universe in terms of paradoxes and contrasts: man lives, yet he is condemned to die; most men live within the context of an afterlife, yet there has never been proof that an afterlife exists. The plague is an enigma to the doctor. Once he set the novel in the hot region of North Africa and had captured our belief in its existence, he began recreating Oran and its people in Western terms. One should question, at this point, whether Rieux is wholly to be trusted. The swollen ganglia which he sees recurring are often lanced and disgorge a mixture of blood and pus. As he does, Rieux is staring at the cliffs, the piece of bay, the sky — at nature, at creativity; he says "plague" to himself, and his thoughts of impending death create a polar contrast with the free, natural scene before him. Another colleague of Rieux's loudly supports the Prefect's stand on the issue, explaining away the fever in vague, medical-book sounding generalities. Into it, however, can be read all Camus's native anxieties, centred on the idea of plague as a symbol.' In fact, Camus says later that the rats were coming out in long swaying lines and doing "a sort of pirouette." The image expands and colors the chapter. The Plague-Novel Analysis, 2004. A snail's pace is exactly the tempo that the town has taken concerning the investigation of the curious fever deaths. bookmarked pages associated with this title. His stand concerning the seriousness of the plague is important because he is the self-deceiver, one of the safest — and most despicable — of roles. Tarrou's suggestion that one might profitably remain on a balcony during a Sunday afternoon is reminiscent of what Meursault of Camus' The Stranger does on Sunday afternoon — watching, looking, seeing. The recognition of the plague as a collective concern allows them to break the gap of alienation that has characterized their existence. Language is living. All imaginations cope ineffectually with such a figure, but the doctor's problem is compounded by the fact that he deals daily in death and has seen the raw damage that statistics are charted from. Be assured, before you take up this book, that however fearful COVID-19 may be, it is nowhere near as destructive as Camus’s plague. All rights reserved. Again, as in Chapter 1, he uses an extreme contrast — here, to point to the absurdity of the symptoms: rats can't be seeping out of houses and sewers for a reason — rats' deaths can't be beautiful. The Plague, on the other hand, is more satisfying on the literal level because of its specifically placed setting, and, in addition, the literal level has more concern for the human condition than, say, the literal level of Gulliver's Travels. This study guide and infographic for Albert Camus's The Plague offer summary and analysis on themes, symbols, and other literary devices found in the text. For the present, he records the snatches of shallow gossip in Oran: the decay of the rats' bodies is seen as the only danger. It should be especially noted here that the doctor is attempting an emotional response to the advent of plague. Camus' idea of living meaningfully, yet knowing full well that life has no eventual meaning, is a positive-negative contrast. Cuizon, Gwendolyn. He shrugs away the matter, saying "it'll pass." Rieux's observation of Grand has Oran as relief, a town which becomes uneasy at the suggestion of affection. Camus' philosophy is an amalgam of existentialism and humanism. The citizens of Oran become prisoners of the plague when their city falls under total quarantine, but it is questionable whether they were really "free" before the plague. Explore Course Hero's library of literature materials, including documents and Q&A pairs. The mercantile air of Oran also pleases Tarrou. (Camus 44) Rieux stays, faces his fear of death, and stays altruistic to fill the duty of being a doctor. While The Plague is a tale of absurdist philosophy, it is also a novel with living characters and a deeply human story, and Camus’ writing is potent in its imagery of suffering, despair, and courage. All of this can be an exercise, if done consciously, to revolt against time's silent, sure murder of the body. In social waters, swimming is done blindly. The mention of a "normal" dying man, "trapped behind hundreds of walls all sizzling with heat," suggests the mazes of Dante's hell, mazes which must be traversed before the plague's thousands of deaths are tolled. Tarrou says he is only interested in acquiring peace of mind. Analysis and discussion of characters in Albert Camus' The Plague. Oran turns its back on nature, on sincerity, and truth; its concern is with the materialistic and the habitual. Why didn't Grand respond then? Analysis The Plague Albert Camus English Literature Essay “Through a core of characters, Camus describes their fear, their confusion, their isolation from the loved ones and the outside world, their self-sufficiency, their compassion, and their ultimately inherent humanism as a … An older doctor is present and urges him to admit it. The rats were headlines in the press. (Camus 44) Rieux stays, faces his fear of death, and stays altruistic to fill the duty of being a doctor. Why does Cottard have an irrational fear of the police? Knowing, of course, that he (the narrator) is Dr. Rieux, we can see a kind of scientific detachment to his style, in addition to his hope to be objectively truthful. This chapter is a kind of didactic catch-all for Camus-Rieux to vent personal feelings about the plague and all its implications. Chapter I is written in a sum-up style by a narrator who slips us occasional asides throughout his short discourse. When Grand explains "one's got to help a neighbor, hasn't one?" He now eats in luxury restaurants and flourishes grand tips. Both men are, strictly speaking, nobodies — statistics, figuratively; actually, counters of statistics. Irritated that Dr. Richard would sarcastically accuse him of having proven the disease to be plague, Rieux insists that he has not proven plague. The Plague. The other doctors refuse to draw conclusions or make an attempt to consider the cases. from your Reading List will also remove any He does not undergo here a metamorphosis and emerge something much grander than before. Albert Camus’ ‘The Plague’ and the Philosophy of Suffering, 2007. Removing #book# Complete summary of Albert Camus' The Plague. The characters in the book, ranging from doctors to vacationers to fugitives, all help to show the effects the plague has on a populace. Again, this is a marvelous sort of endeavor, but the result will be too perfect. He is somewhat of an oddity in Tarrou's album of sketches. Rieux modifies his seeming indecision by saying that the symptoms are not "classic," and at this point his purist view is alarming. His remarks about his new acquaintances being good — witnesses and his unease in a gossip about a murder case — these suggest to Grand that he has something on his conscience. This minute — now — this is what matters. The Plague Summary. In any case, the reader should note that Camus does not single out lovers clinging together during a plague situation to snare his readers' attention. Oran is not the typical Mediterranean town described in guidebooks as having a "delightfully sunny complexion and charming little balconies overhanging narrow streets, with delightful glimpses of shady courtyards." But what comes out of his mouth? In earlier works—notably the play Caligula (pb. Judt, Tony. And, if up to now he has been one step ahead of the townspeople in conscientiously trying to isolate and arrest this mysterious virus, he has never completely stopped and considered the panorama of torment which will be in store for the prey of the plague. The sea, of course, is a striking symbol for life, richly and lushly lived. Albert Camus's novel The Plague is about an epidemic of bubonic plague that takes place in the Al-gerian port city of Oran.When the plague first arrives, the residents are slow to recognize the mortal danger they are in. Before leaving this chapter, there are two more incidents of credit for the doctor. Another character, although her part in the book is small, is introduced in this first chapter and is important because she exhibits a general Oranian attitude toward the plague's symptoms. Cottard's character now takes on greater significance. Surprisingly, it is the town's ugliness, its lack of trees, its hideous houses, and the ridiculous layout. When the garbage cans begin filling with rats, he telephones the sanitation department — a businesslike and correct way to deal with the situation. There are numerous articles written in popular magazines satirizing our culture as mechanistic and materialistic. This is a small point, for there is much description of the rats as repulsive and rotting, but Camus' occasional contrasts of appearance versus reality in his description is exactly what the chapter is concerned with. Margaret Betz is an assistant teaching professor of philosophy at Rutgers University – Camden and is the author of the book The Hidden Philosophy of … He has tried suicide and recovered. Grand seems paradoxical. This is a question to speculate about after we know Tarrou more thoroughly. Lulu Haroutunian has discussed Camus' own medical history, including a bout with tuberculosis, and how it informs the novel. Perhaps Camus' several years of newspaper writing were the genesis of this style or helped formulate his ideas concerning the need for careful, documented truthfulness. Rieux seems isolated — in miniature, a situation akin to the total isolation which the plague will eventually impose upon Oran. The plague strikes people from all social classes and positions, which only highlights the absurdity and arbitrariness of such hierarchies. His role will enlarge as the story develops. It is, however, Rieux's early indifference to the rats which eventually passes. Here is a man who challenges death in this repulsive setting and accomplishes what he desires most — making music. When Camus wrote this novel, there was no epidemic of plague in Oran. He is showing people who choose to spend their time commercially, people who "fritter away" what time is left for living. His thoughts of fellow Athenians fighting one another centuries ago for burial rite space for their dead foreshadows a like battle he will fight when he attempts to properly care for the sick and dying. Before Oran is finally quarantined, Dr. Rieux confronts one more tangle in the local snarl of red tape. There is a breakdown in communication between Rieux and other men. By Ivan Spencer. Grand struggles over perfecting the beginning of a manuscript. It asks a number of questions relating to the nature of destiny and the human condition. He is now concerned that he live, that the police do not arrest him, and that his rights be fully respected. Even the population seem indifferent as they perform their habitual, meaningless gestures. The Plague Introduction. The reader should imagine and reason possibilities for himself by asking such questions as: why did Cottard try to commit suicide? Character List. It describes the bloated corpse of a rat. In spite of their greed and thrift, there are no millionaires in the city, there are no artists of repute, no statesmen or politicians — there is actually no one known outside the city walls. The tale is highly allegorical, meaning that it uses concrete characters, places, and events to symbolize non-literal or abstract principles. 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